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The Life and Many Deaths of Harry Houdini
R65.00
Quick Overview
For many performers, stage life and real life are separate identities. For master illusionist Harry Houdini, the two were inextricably linked. In this widely acclaimed biography, Ruth Brandon shows how Houdini’s obsession with his own mortality drove him to create death-defying stunts that not only captivated the public but also subdued his own raging psychological demons.
For many performers, stage life and real life are separate identities. For master illusionist Harry Houdini, the two were inextricably linked. In this widely acclaimed biography, Ruth Brandon shows how Houdini’s obsession with his own mortality drove him to create death-defying stunts that not only captivated the public but also subdued his own raging psychological demons. As Brandon relates Houdini’s methods of escape, she asks: What was he trying to escape from? Her exploration of the psychic landscape of one of the most enduringly famous performers of the twentieth century makes for utterly fascinating reading. Brandon reveals much that is new: how Houdini invented a phantom son; why he wrote long daily letters to his wife, Bess, who lived one floor below him; his combative relations with mediums and spiritualists, including Arthur Conan Doyle; and the first full description of his fabled death. This definitive biography allows readers to peer into Houdini’s psyche and understand him more deeply than ever before.
*DJ rubbed; page edges yellowed; Small name inscription on first page*
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| Author | Ruth Brandon |
|---|---|
| Publisher | Secker & Warburg |
| Place | London |
| Year | 1993 |
| ISBN | 9780436200601 |
| Binding | Hardcover |
| Condition | Very Good |
| Dustjacket Condition | Good |
| Comments | DJ rubbed; page edges yellowed; Small name inscription on first page |
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Very Good: Might have some creases on the spine; no hard cracks; maybe slight forward lean and short inscription inside; perhaps very minor bumping on the corners of the book; inside clean but the page edges might be slightly yellowed.
Good: A few creases on the spine, perhaps a forward lean, bumping on corners or shelfwear; maybe an inscription inside or some shelfwear or a small tear or two on the dustjacket; inside clean but page edges might be somewhat yellowed.
Fair: In overall good condition, might have a severe forward lean to the spine, an inscription, bumping to corners; one or two folds on the covers and yellowed pages; in exceptional cases these books might contain some library stamps and stickers or have neat sticky tape which was used to fix a short, closed tear.
Poor: We rarely sell poor condition books, unless the books are in demand and difficult to find in a better condition. Poor condition books are still perfect for a good read, all pages will be intact and none threatening to fall out; most probably a reading copy only.