The Thin Red Line
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"When compared to the fact that he might very well be dead by this time tomorrow, whether he was courageous or not today was pointless, empty. When compared to the fact that he might be dead tomorrow, everything was pointless. Life was pointless. Whether he looked at a tree or not was pointless. It just didn't make any difference. It was pointless to the tree, it was pointless to every man in his outfit, pointless to everybody in the whole world. Who cared? It was not pointless only to him; and when he was dead, when he ceased to exist, it would be pointless to him too. More important: Not only would it bepointless, it would have been pointless, all along."
Such is the ultimate significance of war in The Thin Red Line(1962), James Jones's fictional account of the battle between American and Japanese troops on the island of Guadalcanal. The narrative shifts effortlessly among multiple viewpoints within C-for-Charlie Company, from commanding officer Capt. James Stein, his psychotic first sergeant Eddie Welsh, and the young privates they send into battle. The descriptions of combat conditions--and the mental states it induces--are unflinchingly realistic, including the dialog (in which a certain word Norman Mailer rendered as "fug" 15 years earlier in The Naked and the Dead appears properly spelled on numerous occasions). This is more than a classic of combat fiction; it is one of the most significant explorations of male identity in American literature, establishing Jones as a novelist of the caliber of Herman Melville and Stephen Crane.
| Author | James Jones |
|---|---|
| Publisher | Collins |
| Place | London |
| Year | 1963 |
| Binding | Hardcover |
| Condition | Fair |
| Dustjacket Condition | Fair |
| Comments | Scuffing and tears on dustjacket; price-clipped; cover image not accurate. |
How we describe the condition of our books
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New: Exactly as it says.
As New: Pretty much new but shows small signs of having been read; inside it will be clean without any inscriptions or stamps; might contain a remainder mark.
Very Good: Might have some creases on the spine; no hard cracks; maybe slight forward lean and short inscription inside; perhaps very minor bumping on the corners of the book; inside clean but the page edges might be slightly yellowed.
Good: A few creases on the spine, perhaps a forward lean, bumping on corners or shelfwear; maybe an inscription inside or some shelfwear or a small tear or two on the dustjacket; inside clean but page edges might be somewhat yellowed.
Fair: In overall good condition, might have a severe forward lean to the spine, an inscription, bumping to corners; one or two folds on the covers and yellowed pages; in exceptional cases these books might contain some library stamps and stickers or have neat sticky tape which was used to fix a short, closed tear.
Poor: We rarely sell poor condition books, unless the books are in demand and difficult to find in a better condition. Poor condition books are still perfect for a good read, all pages will be intact and none threatening to fall out; most probably a reading copy only.