The Vintage Book of Classic Crime

R44.00
Out of stock
SKU
19903
Share
Login to earn BookBucks for sharing!

Michael Dibdin has assembled fifty-four of the most stylish, original and subversive examples of the literature of murder. Whether written by eminent practitioners such as James M. Cain or Dashiell Hammett, or distinguished "amateurs" like Ernest Hemingway or Franz Kafka, the stories, essays, and novel excerpts in this volume push past their genre's familiar conventions to explore what makes crime CRIME. Suspenseful and exhilarating, hard-boiled and high art, the result is a dazzling gallery of murder that reveals how daring and controversial crime writing can be.

Contributors and stories include: James M. Cain, "The Postman Always Rings Twice"' Raymond Chandler, "Pick-up on Noon Street"; Anton Chekhov, "The Shooting Party"; Umberto Eco; William Faulkner, "Smoke"; Dashiell Hammett, "The Glass Key"; Ernest Hemingway, "The Killers"; George V. Higgins, "Trust"; Patricia Highsmith, "Strangers on a Train"; P.D. James and T.A. Critchley, "The Maul and the Pear Tree"; James Joyce; Franz Kafka; Elmore Leonard; Walter Mosley, "A Red Death"; Edgar Allan Poe,"The Tell-tale Heart"; Georges Simenon, "Maiget's Memoirs"; Isaac Bashevis Singer, "Under the Knife"; Julian Symons, "The Man Who Killed Himself"; Barbara Vine, "A Dark-Adapted Eye"; James Thurber; Oscar Wilde, "The Picture of Dorian Gray"; and Emile Zola, "Therese Raquin."

More Information
AuthorMichael Dibdin (Editor)
PublisherVintage
PlaceLondon
Year1997-07-14
ISBN9780679768555
BindingPaperback
ConditionGood
0
Rating:
0% of 100
Write Your Own Review
Only registered users can write reviews. Please Sign in or create an account

How we describe the condition of our books

We are very proud of the condition of the books we sell (please read our testimonials to find out more!)

New: Exactly as it says.

As New: Pretty much new but shows small signs of having been read; inside it will be clean without any inscriptions or stamps; might contain a remainder mark.

Very Good: Might have some creases on the spine; no hard cracks; maybe slight forward lean and short inscription inside; perhaps very minor bumping on the corners of the book; inside clean but the page edges might be slightly yellowed.

Good: A few creases on the spine, perhaps a forward lean, bumping on corners or shelfwear; maybe an inscription inside or some shelfwear or a small tear or two on the dustjacket; inside clean but page edges might be somewhat yellowed.

Fair: In overall good condition, might have a severe forward lean to the spine, an inscription, bumping to corners; one or two folds on the covers and yellowed pages; in exceptional cases these books might contain some library stamps and stickers or have neat sticky tape which was used to fix a short, closed tear.

Poor: We rarely sell poor condition books, unless the books are in demand and difficult to find in a better condition. Poor condition books are still perfect for a good read, all pages will be intact and none threatening to fall out; most probably a reading copy only.